Those of you who followed the blog of my backpacking trip around the UK and Europe will know that I usually have no luck at all when it comes to visiting photography galleries. I either visit on a day that they are closed, are between exhibits…or in one case… had moved premises. However thanks to the internet and Mr Google….and making an on-line booking I was able to visit and view photos at Pier 24 Photography.
Pier 24 Photography is a non-profit art museum located on the Port of San Francisco directly under the San Francisco–Oakland Bay Bridge. The organization houses the permanent collection of the Pilara Foundation, which collects, preserves and exhibits photography. It’s free to visit and view the exhibitions here, but to limit overcrowding they only allow a restricted number of visitors each day, so an on-line reservation is needed. See their website for details – https://pier24.org/visit/
The current exhibition is called “This Land” which is a snapshot of life in the USA. The exhibition’s title is drawn from Woody Guthrie’s song “This Land Is Your Land” (1940) and features work by some of the best and most well known photographers around – such as Bruce Gilden, who is not only one of America’s best street photographers, but he is also a member of the prestigious Magnum Photo Agency.
The exhibition is housed in a collection of around 18 different rooms, is very well lit and displayed, but still left me feeling a little flat. There were very few photos that I thought were extraordinary…in fact I thought the majority were very ordinary indeed. Bruce Gilden’s contribution was a wall of faces – portraits – of the…and I hate to be unkind here or to be seen to mock the afflicted, but it seemed like he wanted to highlight the freakiest people he could find. He claims that the photos were taken “to try to capture the souls” of those who were captured by his camera.
I’ll pause here and post a few photos of the exterior of the building, the general area, and of course the exhibition and exhibition space its self. Pier 24 is directly underneath the Bay Bridge – I’d hate to be in there during a big earthquake.
Even though they were not -in my opinion – exceptional photos, they do give an insight into the people and places of ordinary America. I’m glad I took the time to visit the gallery but hope that next time…if there is a next time…that I visit, there will be something more inspirational. I am glad and grateful that such a place exists that is dedicated to photography.
I also paid a visit to the galleries at 49 Geary Street – there are round 2 dozen free to visit galleries of various sizes – many of which have the kind of art that I just don’t understand at prices I understand even less. BUT 2 of them have photographic displays. Robert Koch Gallery featured a number of black and white photographs from across the years and by numerous photographers. They were just in the one smallish room but of really good quality and content. The other photo gallery is Fraenkel Gallery currently featuring coloured photos by Alec Soth. They were OK but nothing marvelous. I just wish we were going to be in San Francisco in July for the Lee Friedlander exhibition.
Murals are on just about every building in the Mission District. It’s a bright and colourful, if somewhat run-down part of the city. There are a cross-section of people living here, but it’s a predominantly Hispanic neighbourhood.
There are a few homeless people on the streets and a few “crazies” or people down on their luck talking to themselves. Some of the alleyways have a strong aroma of urine, but over all we felt quite safe walking there and chatted to a few friendly locals along the way. We took the bus from 22nd and Iowa Streets in the Dogpatch to 24th and Bryant Streets in the Mission. Each bus ride costs $2.75 if you pay cash, or you can buy a “Clipper Card”, load it with money and use that on the buses, trains and trams at a discounted $2.50 per ride.
The mission District got its name from the Roman Catholic Mission and Church – the oldest in San Francisco – which can be found on the corner of Dolores and 16th Streets. There is a suggested donation of $7 per adult to take a look inside the original mission building, the gorgeous church next door and the garden and cemetery…..end exit via the obligatory gift shop of course. Photos of the Mission and Church are below.
But now, back to the murals. Our walk took us along 24th Street past Alley Cat Books – which of course we felt the need to explore – and purchase a couple of books. From there we went in and out of side streets and alleys until we turned into Valencia Street. We then followed Valencia all the way down to a small park sandwiched between 19th and 20th Streets. I chose this route because it took us past another two bookshops – Dogeared Books and Borderland’s Books…..but this post is meant to be about the murals. Almost opposite Alley Cat books is Balmy Alley which is literally wall to wall with murals so here are a few of our favourites. There’s even a motorbike that’s covered in paintings.
Here are a few more of the murals from along our walk. Click on the individual photos to expand the photo.
After trudging around the streets and alleys in search of murals, we needed a break to recharge our batteries in a nice green space known as Mission Dolores Park – often shortened to Dolores Park. Bounded by 18th and 20th Streets, we entered off 19th and climbed up the main pathway that divides the park in two. Boy was it steep! The park is very popular for locals and tourists and has views over the central business district. It’s also a popular hangout for the homeless so be on your guard. Most of them are harmless and only looking for somewhere to lay their heads for a while.
We had prepared a picnic lunch, so sat on one of the many benches in the park, ate lunch, enjoyed the views, the occasional aroma of weed wafting by on the breeze and read our books. I will do a separate post about the bookshops in this area and books we bought. Weed, cannabis, marijuana – although still illegal in the USA by Federal law, IS legal in some states (including California) by State law – so plenty of people take advantage of that and use the park to get “mellow”. Here’s a few shots of the park to finish off this post.
This is the first of what will surely turn out to be many posts about the City of San Francisco featuring photos and hopefully interesting information taken/collected by me and my wife on our recent visit to this amazing city. I have been here before, firstly in 1986 and more recently in 2012. Now that our son and daughter-in-law have moved here and SF is their new home town, we’ll no doubt be visiting more often. I hope so anyhow.
Why choose the Dogpatch as my first area to blog about here in this very interesting and beautiful city? It’s where my son and daughter-in-law live, and where we’re staying, so it makes it a natural start point for our investigation of the city. So let’s have a quick look at the history of the Dogpatch and that of San Francisco its self.
The first people to live and hunt in and around this area were the native American tribes – Miwok, Wintun and Wappo. This was prior to San Francisco and indeed most of California being under Mexican control from the early 1700’s until after the Mexican-American War, which ended in 1848, when Mexico ceded California to the Americans. Two years later in 1850 it became part of the Union. It wasn’t until 1847 that San Francisco came into being – before that it was called Yerba Buena by the Spanish and Mexican settlers. So I guess that when Mr Trump talks of throwing the Mexicans out of “our country”, he’s overlooking the fact that the Mexicans were here before the USA officially existed and so, the USA kicked the Mexicans out of what was part of THEIR country…(Independence day wasn’t until 4th July 1776)….and before California became part of the USA (1850). But he’s still hell bent on building his wall.
So, why call this area Dogpatch? Truth is no one is quite sure and there are several thoughts….1) The area was originally covered in a plant called Dogfennel….2) The area had slaughterhouses and so used to attract packs of dogs searching out scraps of meat and offal….and 3) It was named after Dogpatch, the fictional middle-of-nowhere setting of cartoonist Al Capp’s classic comic strip, Li’l Abner (1934–1977)…..Dogpatch is also a colloquialism describing an under developed backwater, which I guess San Francisco’s Dogpatch was. It was an area mostly taken up by warehouses, industry and shipyards. Part of the land here used to be marsh and has been reclaimed. Only the poorest of workers used to live here by choice as it was a very low rated, low rent area. This later attracted the “art community” so set up studios here, in old warehouses, which in turn brought the “hip” and “trendy” who converted warehouse space to fashionable lofts. It’s now an up and coming neighbourhood but still has the benefit of slightly lower than normal San Francisco property prices and rents…..but it’s catching up fast!
There was little redevelopment up until quite recently, as this was one of few areas to escape damage from the huge 7.9 San Francisco earthquake of 1906 so, from an historical viewpoint, the architecture is worth checking out.
Within a few blocks of where we are staying there are bars, cafes, art galleries, breweries, the waterfront and of course dog parks…..San Franciscans just love their dogs. There are a lot around, all being pampered and well loved by their mostly apartment dwelling owners – maybe another reason why this is called the Dogpatch?
We’ll start with the two breweries we have called into so far. The first of which was Triple Voodoo Brewery on 3rd Street, who have a rotation of 16 boutique beers on tap – and are dog friendly (the brewery, not the beer), what would you expect here in the Dogpatch? They offer a flight of beers to taste – you can have a flight of 4 or of 6 of beers of your choice from their menu. Or you can have a glass of beer served in a choice of glass size and this is reflected in the price. My wife and son both opted for a glass of Czech style “Anxiety Pils” where as I opted for a flight of 4 consisting of – “Inception” – a Belgian style golden strong beer of 8% alcohol rating, which was one of the nicest tasting beers I have had for a long time. Strong but smooth and very drinkable. Next up was “Season of the Boch” described as SF Giants IPA. SF Giants are the local Baseball team and this is a big hitting 7% IPA with very nice fruity citrus notes. If I hadn’t already tried the “Inception” I would have been totally won over by this beer. Next came “Summerwood” described by the brewer as Grisette aged on wood – it’s brewed using the “wort” from pressed grapes. This was my least favourite beer – and at 4.5% the weakest – as I just didn’t care for the taste at all. Call me weird if you like, but as far as I am concerned, grapes are for making wine, not beer. My 4th and final beer was “Corpse Paint” – described as a black common lager – at 5.3% alcohol it’s a nice seasonal dark beer with flavours bordering on a stout but without the heaviness. The brewer says it’s his favourite and I can see why….but for me it came in at number 3. Back home in NZ, MOA brew a very similar product…..equally tasty. Anyhow, below is a photo of my, already partially sampled, flight of four.
The flight was priced at $11 and the small glasses of beer at $5 each but the very nice lady bar teller only charged us $17 all up….so got a nice $3 tip. We win and she wins.
The other brewery we tried was Harmonic Breweries on 26th Street – just a few blocks down the street. Walking distance there and staggering distance back! Here they also offer tasting flights, but instead I opted for a full sized glass of beer and tried the “Harmonic Kölsch”. I had no idea what a Kölsch was so thought I’d try it. According to Wiki – Kölsch is a style of beer first brewed in Cologne, Germany. It is unusual because although it is warm fermented with ale yeast, it is then conditioned at cold temperatures like a lager. It’s a 5.8% lager and is a smooth easy drink…..maybe a little too easy! My second beer here I went for an oatmeal stout – “Cold-Press Stout” – at 5.3% it still tasted full bodied enough to be a stout, but I thought it was fairly similar to the “Corpse Paint” I’d tried at Triple Voodoo, and that was a black lager, not a stout.
Harmonic is another Dogpatch, dog friendly brewery and there were a couple of dogs sitting patiently under the tables while their owners imbibed and even one at the bar hoisted on its owners shoulders. I’m not sure what the prices were as my son and daughter-in-law kindly bought the beers.
Just 8 minutes walk away at 1275 Minnesota Street is the “Minnesota Street Project” – a collection of 13 art galleries in a warehouse space. The galleries are spread over 2 floors and are of various size and content with a large open space in the middle of the building which is very industrial like. Art of course, like beauty, is in the eye of the beholder and I’ll be honest about this – there are somethings that people call art that I just don’t get at all. For example the short videos where nothing at all happens, or you get flickering light across the video screen so you can’t really see what’s going on. Conversely I really enjoyed visiting the Rena Bransten Gallery which featured, in one room, paintings by Lawrence Ferlinghetti in celebration of his 100th birthday. Ferlinghetti is best known as a poet of the beat generation and also as a publisher and owner/founder of City Lights Bookstore. His paintings are somewhat childlike but I still enjoyed them.
In the other room was a display of photos – all but one in black and white and the centre photo on the walls was in colour – by photographer Louis Stettner (1922-2016). Coinciding with the San Francisco Museum of Modern Art’s retrospective Louis Stettner: Traveling Light, curated by Clément Cheroux’s, the works in this exhibition represent fifty years of Stettner’s prolific career and illustrate many of his most frequented subjects: people in pairs, workers, bodies in transit and rest, and cityscapes. Again, art is in the eye of the beholder and I am a photography nut so loved this exhibition. The photos below show the outside of the gallery building – as I said it’s very industrial both outside and on the second photo showing the open space in between the galleries. The individual galleries are either side of this open area over two floors. The third photo is of my wife standing outside the Rena Bransten gallery with one of Lawrence Ferlinghetti’s paintings on the wall behind.
Scattered through a number of the galleries were works of Iranian artists now living in the USA. Many of the designs look like Persian carpets and are offered in a variety of colours – for example with an emphasis on the colour yellow or the same picture but in the colour red. They are quite beautiful. The galleries are free to visit as they are there to promote the artists and to sell their wares. Some of the gallery staff are more friendly and welcoming than others.
Along Indiana Street in the other direction is a small open area outside a nice little cafe – where I am told you can get a very tasty brunch. This open area for better or worse is called the Dogpatch Arts Plaza. They have in the past held some outdoor music events here, but looking at their website – last updated in mid 2018, it doesn’t look very promising for anything happening during our visit. There is quite a nice sculpture occupying space in the middle of the plaza though. See photo below
As you can see it looks like a cross between Centaur meets the Terminator. I quite like it.
Just to round off our Dogpatch experience this far I should also mention Piccino restaurant just around the corner from the apartment on the corner of Minnesota and 22nd streets. It’s located in an old weatherboard building painted bright yellow on the outside, but with an open and modern interior. It’s obviously THE place to be around here as it was very popular on the evening that we dined there. The food was divine. I am usually a very predictable eater in that I know what I like and usually stick to it. BUT for once, encouraged by my son and daughter-in-law I decided to try a few things that I wouldn’t normally try and much to my delight, enjoyed everything put in front of me…..including the raw fish and the cooked octopus. The food is presented on shared plates so it’s easy to try different things. The highlights in my opinion were the Octopus (which was far from the rubbery experience I expected), the Short Rib (that was melt in the mouth delicious) and my dessert – which the menu describes as “zeppole, huckleberry, white chocolate pudding”. I had no idea what zeppole or huckleberries were but was attracted by the white chocolate pudding. It was a taste sensation of light and fluffy mini-doughnut like balls of yumminess with the semi-sharp, semi-sweet fruity berries and the smooth creaminess of the white chocolate pudding. The wine list is what I would describe as being on the expensive side, but accompanied the food perfectly. The staff there are knowledgeable about the food and wines on offer and very attentive. And of course the company my son and daughter-in-law, plus my lovely wife made for a wonderful evening. Sorry – no photos of the food or the restaurant – I was too busy eating!
Next up is our “Mission” to find murals in the very colourful Mission District.
I’ve been interested in photography for a lot of years. I seldom go out without a camera. Finally I’ve stepped into the 21st century and joined Instagram. Here’s a selection of my photos. Please feel free to follow me there….
Other than my wife and family I have three main passions. They are writing, photography and travel. So I thought I’d hit you with my favourite quotes to do with writing, photography and travel
“Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.” –Franz Kafka
“No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” –Robert Frost
“Read, read, read. Read everything – trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You’ll absorb it. Then write. If it’s good, you’ll find out. If it’s not, throw it out of the window.” –William Faulkner
“To me, photography is an art of observation. It’s about finding something interesting an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.” — Elliott Erwitt
“If the photographer is interested in the people in front of his lens, and if he is compassionate, it’s already a lot. The instrument is not the camera but the photographer.” — Eve Arnold
“My life is shaped by the urgent need to wander and observe, and my camera is my passport.” — Steve McCurry
Anatole France – “Wandering re-establishes the original harmony which once existed between man and the universe.”
St Augustine – “The world is a book and those who do not travel read only one page.”
Mark Twain – “Travel is fatal to prejudice, bigotry, and narrow-mindedness.”
Just as “Man” can be destructive to nature, so can nature show its destructive powers. Such an incident was the 1931 Hawke’s Bay earthquake.
The 7.8 quake struck at 10.47am on 3rd February 1931. The epicentre was 15 kilometres (just over 9 miles) to the north of the city of Napier and occurred at a depth of 20 kilometres (about 12 miles). Many buildings in the central business district of both Napier and its sister city Hastings collapsed immediately. The brick built facades of others fell into the streets killing and injuring passers by. Railway lines and tram lines buckled and bent like plastic. A total of 256 lives were lost and thousands were injured – most loss of lives occurred in Napier, with about a 3rd in Hastings. Nerves of locals were shredded by over 500 aftershocks within two weeks of the initial quake. The last recorded aftershock attributed to the February 1931 quake occurred in April 1934 (over 3 years later!). At 5.6 on the Richter Scale it was still a nasty and powerful reminder of the earths destructive powers. It remains New Zealand’s worst natural disaster.
Timber buildings, of which there were many, survived the initial quake but fell victim to fires which broke out soon after, leaving both cities looking like war zones. In Hastings, fire crews managed to control the fires, but in Napier they were not so fortunate. Because water pipes had been ruptured by the quake there was no water pressure and so no way to fight the fires, which raged unchecked.
The destructive force of the quake was also a creative force – uplifting some forty square kilometres of sea bed to become dry land – draining the Ahuriri Lagoon. This is now where the Hawke’s Bay regional airport stands.
The New Zealand Listener Magazine in 1941 (ten years after the devastating earthquake) was quoted as saying that “Napier had risen from the ashes like a phoenix”. It quoted the 1931 principal of Napier Girls’ High School as saying “Napier today is a far lovelier city than it was before”.
This was primarily thanks to the efforts of government appointed commissioners John Barton and Lachlan Bain Campbell who were sent to Napier to assist the Napier City Council in the rebuild. A review of building standards was also commissioned which found that many of New Zealand’s buildings were totally inadequate. As a result, most building of the 30’s and 40’s were heavily reinforced. Of course those standards have been surpassed several times since then.
During this time Art Deco architecture was all the rage and because the old city had been completely flattened, Napier (and parts of Hastings) were built primarily in this style – along with Spanish Mission architecture.
The preservation of these Art Deco architectural wonders all in the one locale has earned Napier the title of Art Deco Jewel of the Southern Hemisphere, and attracts tourists and Art Deco enthusiasts from around the world. This is particularly noticeable during the annual Art Deco Weekend Celebrations – which take place on the 3rd weekend of February to mark the beginning of the rebuild and rebirth of this Art Deco jewel – when the streets are jam packed with revelers wearing their best 1920’s and 1930’s costumes, hundreds of vintage cars and party-goers dancing in front of the Sound Shell on Marine Parade to the sounds of big band jazz music.
There are hundreds of events taking place over the days leading up to the weekend and over the weekend – some are official – organised through the Art Deco Society and some are unofficial. These include fly pasts and aerobatic displays, steam train rides, a parade of vintage cars, marching bands, theatre, music, costume competitions, old movies at the cinemas, soap-box derby for the kids, dances, guided art deco tours, lots of feasting and partying and so much more. BUT if you’re planning on a visit….book early as accommodation can be scarce.
Kind of a weird title, but it will become clear as you read the post.
Travel, from my own experience, has always been a very positive experience. I have met some wonderful people from all around the world, seen some marvelous sights and had some very positive, at times life-changing moments. In all my years of international travel (I first travelled overseas when I was 14 so that’s 45 years of experience), I have only had the displeasure to experience either muggers or pick-pockets three times.
The first time was way back in the mid 1980’s in Harlem, New York City – partly my own fault as I was still a bit green and didn’t have much in the way of street smarts – when I encountered a couple of guys who wanted to relieve me of my bag – containing my camera, wallet and passport among other things. Fortunately I was young and fit and managed to turn heel and out run them….almost bowling over a railway security guard in my haste to get away.
The second and third times involved pick pockets or, I should say, attempted pick pockets. Once in Nice in the South of France and, yes you guessed it once in Barcelona and both within a month of one another….but we’ll get to that event later.
I had visited Barcelona very briefly over 40 years ago as a 16 year old and remember being propositioned by the prostitutes along the main street through the centre of Barcelona called las Ramblas. Other than that and the statue of Columbus at the sea shore end of las Ramblas along with the flower sellers stalls in the middle of the street, I can’t really remember much about it.
For our recent visit though I had a reason to be there, or two reasons to be exact – one being Pablo Picasso the world famous artist, and the other being Antoni Gaudi equally famous for his fantastic architecture…..or at least equally famous here in Barcelona.
I had bought a book “Gaudi – the Complete Works”- by Juan-Edwardo Cirlot, with photos by Pere Vivas and Ricard Pla – on arrival in Barcelona and flicked through the pages in awe of the genius of the man.
But first Picasso. Picasso was born in Malaga, southern Spain in 1881, but in 1895 moved to Barcelona where he thrived. He looked upon Barcelona as his true home and it was here that he was accepted into the School of Fine Arts at the tender age of 13. At 16 his father and uncle decided it would be best for him to go to Madrid and attend Spains foremost art school the Real Academia de Belles Artes de San Fernando. He hated the structured regime there and quit soon after enrolling. He remained in Madrid though for a time visiting the museums and galleries for inspiration.
In 1900 he made his first visit to Paris and it was love at first sight…..as it is for many of us. He then divided his time between living and working in Paris and Barcelona. However in later years he lived prodominantly in France, which became his new adopted home.
It’s here though, in Barcelona, where you will find the museum completely dedicated to Picasso – The Museu Picasso – which opened in 1963 and houses over 4,000 pieces of Picasso’s work. Although he’s most famous as an artist and was a leader of the cubist movement, he was also a sculptor, ceramicist, printmaker, collagist, stage designer, poet and playwrite. A busy and versatile man!
The museum is very much worth visiting to view the range of his work. It is housed in 5 adjoining medieval palaces in Barcelona’s La Ribera district – a haven for artists, artisans, designers, tradesmen and merchants – on Montcada Street. The museum is open 6 days a week (closed Mondays). For full details of opening times and ticket prices see their website. http://www.museupicasso.bcn.cat/en
Even though Picasso is an artist of world renown, who’s works sell for millions of dollars, he is not my main reason for being here in Barcelona. The focus of my trip is another artistic genius, Antoni Gaudi. The difference being that his artistic genius manifests itself in architecture – amazing, imaginative, magical and almost mythical architecture.
The buildings he designed were highly individualised one off designs – very much stand-out buildings and a feast for the eyes. Having visited a number of his buildings in Barcelona, as well as Park Guell – a public park composed of gardens and architectural pieces – I can confirm the genius of this man. The park and the buildings he designed in Barcelona have been given USESCO World Heritage status. His most famous building, mainly due to the size and difficulty of building it, is without a doubt the still unfinished, massive church known as the Sagrada Familia.
To view many of Gaudi’s buildings in Barcelona we went on a “Free” walking tour with Runner Bean Tours. The tour is, as it says, free of charge…..but you can make a donation at the end if you thought the guide and the tour itself was good value. Some people take the tour and give nothing. Others, myself included, chipped in around $10 per head as a thank you for the almost 3 hour tour. Well worth at least $10….probably $20 would not be out of place. They also do paid tours for groups and for individuals. Website link is: https://runnerbeantours.com/
Our guide was wonderful. Very clearly spoken, amusing, patient and knowledgeable. Our tour began at the meeting place just off las Ramblas, at the Placa Reial, by the water fountain. We were asked to look around the square and see if we could see anything that Gaudi may have designed. It was pretty obvious that the guide was referring to the ornate lamp posts – complete with serpents and winged helmets – so brightly coloured.
The tour took in several of Gaudi’s buildings – the first stop being Palau Guell – a building designed for The Guell family who were Gaudi’s primary patrons – very wealthy. As we were standing on the footpath opposite the building and our guide was giving us the spiel of all the facts and figures relating to the design and build of this amazing building, I noticed that 3 extra people who were not on our tour had tagged on to the back of the group. Two men and a woman. But, instead of looking at the building they seemed to be concentrating on the other people in the group. Naturally this was a signal to me that something wasn’t quite right.
I had a rather expensive camera with me, but other than that only had a few euro’s in a zipped cargo pocket down by my knee. Of course our three tag alongs had no way of knowing that. As the tour guide wound up his talk and motioned for the group to follow him to the next destination we turned into a narrow alleyway and it was here that they made their move. I had hung back, at the back of the group and as soon as I entered the alley, the bigger of the men cut in front of me and immediately bent down as if picking something up that he’d dropped. It was such a sudden movement that I couldn’t stop myself from bumping into him and coming to a halt. The instant I bumped into him, the other two – the man and woman – “accidentally” crashed into me and the guys hand went straight into my my pocket. Although this was obviously a practiced move of theirs it was clumsy. I grabbed his wrist, spun around and started yelling obsenities at him to attract attention and hopefully that someone in our group would hear and come to the rescue. Pick pocketing is so common in Barcelona that no one even blinked at the incident unfolding in front of them. Passers by just kept on their merry way, minding their own business. Three on one are not good odds and there was no way I could contain all three of them. As it turned out, once I had rumbled their plan they simply put up their hands in a “Woops OK you caught me” gesture, smiled and shrugged apologetically and turned and left in the other direction.
Once I had caught up with our tour leader I took him to one side to explain what had just happened and to suggest that maybe he should issue a warning to the rest of the group – just in case. During his warning speech that he gave at our next stop he commented that pick pocketing was so rife here in Barcelona that if it was to become an Olympic sport, Barcelona would become the undisputed Gold Medalists…..hence the title of this post. He also said that most pick pockets are not violent and unlike muggers will not resort to force…..and if caught are usually good natured and walk away.
Our tour continued taking in a number of Gaudi works and buildings of architectural merit of some of Gaudi’s competitors. All very interesting and beautiful to see unlike a lot of todays modern monstrosities which have cost as their primary concern. The building I was most interested in seeing though was Casa Batllo – with its dragonlike roof. It’s been called a number of names including “the fairytale in stone”, “the house of yawns” and even “the cat house”. You can see from the photos that follow how it got those names.
I was very keen to see inside this amazing building, but entry to the buildings is not included in the tour. Each Gaudi Building, being privately owned, cost pretty decent money to get in to do a tour of the interiors. My wife and I decided to come back the next day and pay whatever it cost to view the inside.
The tour concluded at the Sagrada Familia. Again only viewed from the outside. It’s amazing that when Gaudi died in 1926 the church was only about 15% to 25% completed. The building work began in 1882 and is not expected to finish until around 2026…..although the expected finish date has been pushed back several times already so don’t hold your breath.
If you’re wondering what the literary connection is in this post…..other than the Gaudi book I mentioned earlier – the Sagrada Familia was commissioned by a book seller named Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph).
The next day we visited the interior of the Casa Batllo – and marveled at it’s hand carved staircase that looked like a huge curved spine as if it was made from bones, were frankly amazed at the amount of thought that went into this building particularly when it came to bringing daylight into the various rooms on each floor. There was a sort of central courtyard….just a few metres across that went from roof level all the way down to the ground floor. The walls of this “courtyard” were tiled in blue and white tiles and topped by a glass roof allowing light to enter the interior. The top floor was closest to the light, so this section of the courtyard walls were tiled mainly in dark blue tiles as the top floors were well lit and didn’t need to receive a lot of reflected light from the courtyard walls. As we travel downwards toward lower floors, more light is needed so the next floor down has a mixture of both blue and white tiles on the courtyard walls….lower still you see more white and less blue. There was also a ventilation system bringing in air from the outside and carrying it throughout every room of the house. These things may seem straight forward now but remember this building was built back in the early 1900’s.
There really are too many features to mention here, except to say that Gaudi was not a fan of the straight line. In his own words “There are no straight lines or sharp corners in nature, therefore there should be no straight lines or sharp corners in architecture”…and….”The straight line belongs to man, the curve belongs to god”. One feature that I will quickly mention – the roof – is said to be a nod by Gaudi to Catalonia’s saint, Saint George (also the saint of England). This is represented by the dragon-like roof and the turret with a cross on top. Said to represent the dragon killed by St. George – his sword being the cross on the turret. We don’t know for sure if this is correct as Gaudi refused to either confirm nor deny the speculation.
Our final place of interest in our search for everything Gaudi is Park Guell. Again commissioned initially by the wealthy Guell family. Actually Gaudi pretty much bankrupted them with his outlandish style and his habit of redoing work over and over again until it was absolutely perfect. Every job that Gaudi did, he blew the budget wide open. It is free to enter the park and to look at the gardens and architectural features created by Gaudi, but there is a small area that is reserved for paying customers. You can see into this area from the “free” area, but you don’t get the tactile experience of touching Gaudi’s creations or seeing them close up.
Words don’t really come close to describing the wonder of Gaudi’s creations so again I am putting here a gallery of photos to show the variety of his work within the Park Guell.
Just a couple of final observations. Within the park, officially you are not allowed to set up stalls and sell tourist merchandise – there are police patrols to enforce this. It doesn’t seem to stop dozens of entrepreneurs form laying out their wares on blankets along the pathways in the park. as soon as the police are in sight, they gather the corners of their blankets and disappear like smoke on the breeze – to return moments later when the police have gone by. It would seem also, by the grafitti on one of the picnic tables in the park that the locals are not 100% behind having tourists invade their space. See photo below.
We were in the great city of Barcelona for a week, so obviously saw more than the Picasso Museum and Gaudi’s buildings……so I may take another look at Barcelona in another post sometime along the way. Meantime, thank you for taking the time to read this post. If you liked it, please do click on the “Like” button and I have many more articles to share with you, so please feel free to also hit that “Follow” button. As usual any comments or constructive criticism are gratefully received. Adios for now.